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By Douglas Coupland

All households Are Psychotic is the 7th novel through Douglas Coupland, released in 2001. the unconventional is the fictitious tale of the dysfunctional Drummond relatives and their adventures on a visit to determine their daughter's house travel release.

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Lottie. This event takes her by surprise and is not planned for. It arises as an unexpected surplus of the seemingly rational strategy to control Lottie. Mrs. Bascomb is no longer an exclusively objectifying person. She can no longer wholeheartedly steer the objectifying process and the deprivation that adheres to it. Reality is problematized for her when she finds out that the ‘‘real’’ Lottie is not the Lottie that she has known. Paradoxically, when Lottie is kept in the sickroom effectively ff objectified and shut off from the outside world, another Lottie is uncovered: ‘‘Lottie revealed herself quite otherwise’’ than Mrs.

One level of ‘‘truth’’ is represented by the prostitute Joyce Lakeland. She is simultaneously the source of Lou’s evil, what has ignited the sickness, and the secret evidence the authorities will use to make Lou confess the truth, an evidence Lou has provocatively hinted at throughout his narrative. Throughout his narrative, Lou intimates that Joyce may have survived his attack; her possible survival and re-emergence as ‘‘evidence’’ makes her both present and absence in his narrative very much like the truth of evil Lou ostensibly is providing.

Standing there at the door of that room [watching Lottie cry], Mrs. Bascomb felt something strange come into her empty heart. As if it had been slowly seeping in and piling itself higher and higher against the barrier which shut it out from her life, it was there ... At the sound of Lottie’s disconsolate weeping it overflowed the barrier. (HSW, W 288; emphasis added) Here we witness a discrepancy between thematized and unthematized levels of the text. ’ ‘Life’ lets love in. ’ This is the thematized outcome of Her Son’s W ife.

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